Among the avant-garde ones, the interior design trends of the 1970s are definitely making a comeback. In February, a series of interior designers echoed a sentiment similar to that adopted that much defamed color, brown. The luxury antique store has also registered a massive increase in sales of iconic designs of the time, such as Mario Bellini's “Camaleonda” sofa from 1970 (yes, that bulbous sofa you've seen on Instagram), the Maralunga “Togo” sofa by Michel Ducaroy and Vico Magistretti from 1973 and the Artona dining room series “Tobia & Afra Scarpa”. That energetic and curious attitude encapsulates the decor and interior design of the 70's, notably enlivening homes during the decade. The design elements and motifs that today's best interior designers are borrowing from the 70s tend to fall within a specific set of parameters.
As for materials, opt for wooden cabinets and combine them with polished brass for a contemporary look that still honors the warmth of the design schemes of the 70s. McKinley is currently designing two residential projects with rich earth-tone colors, deep, low furniture, open floor plans and a sunken living room. Interior design is the art and science of understanding people's behavior to create functional spaces within a building. While designer Niki McNeill Brown theorizes that the return of the disco era at home may be due to homeowners' craving for color, designer Jean Liu believes this trend is inspired by nostalgia.
While design is an individual preference, it is able to identify the themes and interests of a generation. If you wish, you can adopt the psychedelic interior design of the 70s with bedspreads and wallpaper at full volume, but you can soften it simply by selecting muted earthy tones and dispersing them around the room. But at a time when chromatic diversification has become neutral, are we once again yearning for design schemes that seek euphoria and individualism? Mischa Couvrette, principal designer of Hollis and Morris, assures us that “the orange tone and the excessive use of plastic decoration remain in the past, while Daniel Rauchwerger, from BoD, argues that the decade, at least from the point of view of design, is often misunderstood from the point of view of design.
